On today’s podcast, I return to my annual chat with Blanka Zizka to talk about the 3-part process that is the Wilma Transformation. While our focus is on the season, we touch on the new lobby, educational efforts and the 16 Barrymore Nominations that while, notable, are do not the fuel that drives Wilma’s engine. Stay Tuned!
ABOUT WILMA THEATER 2017-18 SEASON
By Federico García Lorca
Translated by Nahuel Telleria
Directed by Csaba Horváth
October 25, 2017 – November 19, 2017
On the morning of her wedding day, a young Bride is visited by a headstrong former lover, reigniting a family blood feud that has been simmering for years. Their isolated village is a pent-up powder keg of fury and desire, and when they escape together, all that repression is released — to destructive ends. Acclaimed Hungarian director-choreographer Csaba Horváth leads the Wilma’s HotHouse Company of actors in a production combining athletic ensemble theater with Lorca’s fiery language. Magical realism at its richest and most tragic, this reimagining of the Spanish classic is a searing investigation of passion in the Wilma’s signature style.
Book and Lyrics by Stew
Music by Stew and Heidi Rodewald
Created in collaboration with Annie Dorsen
Directed by Tea Alagić
January 10, 2018 – February 18, 2018
In this major revival of Stew and Heidi Rodewald’s Tony Award-winning musical, a rebellious young black man journeys to Europe in search of something “real.” Music takes center stage as we travel from gospel-soaked South Central LA through psychedelic Amsterdam to militant Berlin and back. This incendiary musical is a rowdy salve for turbulent times: a young punk screaming in defiance of the void, with an electric onstage band. See a musical experience ahead of its time, as The Washington Post recently proclaimed: “It’s high time Hamilton lovers and anyone else who cares about weird, smart, highly personal art rediscover Passing Strange.”
A World Premiere by Christopher Chen
Directed by Blanka Zizka
April 18, 2018 – May 13, 2018
Imagine you’re in an exotic new country — occupied by your nation. Now you are a distinguished doctor, but a cab will not stop for you. Now you’re in a cave so dark, so quiet, you lose track of who you are. Suddenly, there’s a sound and —
Welcome to Passage, a fantasia on E.M. Forster’s A Passage to India that uses the theater’s primal evocative powers to examine the most essential questions of our time. Written by Obie Award-winning playwright Christopher Chen, this World Premiere is a perfect vehicle for the Wilma HotHouse Company’s passion and transformative prowess.
The Wilma HotHouse is an incubator for artistic investigation and experimentation, and enables its company of actors to dare and explore under the Wilma’s auspices. HotHouse allows the Wilma to develop new works specifically for our company of actors; to conduct readings, intensive workshops, and other experiments with company members and guest artists; and to hone a unique theatrical aesthetic for the Wilma through rigorous actor training.
FOR TICKETS AND INFORMATION: